My shoes are wet and my socks are wet because today I tried river walking. If a child was to do the same it would be called immature and irrational but when an adult does it then it’s adventure, and trying something new.
My motivation to river walk came from the pandemic, or more precisely from how people behave during a pandemic. When I walked yesterday I had a runner pass right by me and then spit on the ground a few meters ahead of where I would have been going.
Walking and finding old trees is still possible if you look around. If you’re attentive you can find trees that are hundreds of years old. They are massive compared to younger trees. Their trunk is broad and their branches are complex.
https://www.youtube.com/watch?v=TWb2iO9F0KM
If you walk around the Mediterranean you will find thousand-year-old olive trees and if you walk around Switzerland it is also possible to find old trees. There are two or three parks in Geneva where you can find them.
Objectified is a documentary about industrial design that has been divided into interviews with individuals about a diversity of designs, from the casing of the Mac Book Pro to chairs, a CD player that behaves like a fan and much more.
On Linkedin, this documentary has been cut up and split into chapters so that you can either watch the documentary in its entirety or you can watch it as video on demand with the designers you’re interested in or familiar with.
When I was in Spain I started to read “The Bomber War” because it’s a topic I do not know much about the topic. It’s interesting to read about the technology that they used for guidance, for detection and for the bombing. It’s also to read about how one thousand bomber sorties were sometimes orchestrated. I’m only 40 per cent of the way through the book at the time of writing.
We have all seen events covered by photographers and camera operators but how many events have we seen covered with 360 degree videos?
A few weeks ago I filmed the Escalade, wrestling and other events with 360 cameras and it was fun. In some cases it was the opportunity to play with a new format and in other cases it was the opportunity for proof of concept.
The thing to remember about 360 videos is that you’re placing the camera at a point in space and people can look around as if they were holding the camera.
It is not rare for me to do a timelapse from La Barillette. Several years ago I tried a timelapse with a 360 camera where you saw clouds forming overhead and in a spherical video. I also filmed a timelapse of the Paléo parkings filling up. This time I went up the Jura in the hope of filming Autumn colours but as I got to the top my project changed.
A century ago Dennis Arkadievitch Kaufmann, more commonly known as Dziga Vertov, the spinning top, came up with the concept of the All-Seeing Eye. The Kinoki. The Cinema Eye. His idea was that with time life unawares could be documented and daily life would be captured by cameras for everyone to see.
https://youtu.be/yzxrSX79oz4
Until recently the idea of filming and documenting everyone with video and photo cameras was an act of fiction.
Sometimes I stumble across documentaries that I feel excel in their genre. One such documentary is Earthrace: The Power Boat Race around the World. This is a one and a half hour documentary charting the fundraising, awareness building, race preparations and then the actual race, including logistics and more.
I like this documentary because the editing rhythm is in keeping with the story. The story is told in a logical and chronological order with no excessive editing, no breathless commentary, no excessive use of music.
Documenting climbing feats is an interesting challenge because you deal with issues of accessibility, projects that can last for months or even years and in some cases you’re dealing with the prospect of the climber understanding the problem, and then achieving his goal. For two or three years I really explored ideas for a climbing documentary before losing steam. My interest in the topic was still there but I couldn’t think of whom to put in front of the camera.
One of the reasons for which this film is so powerful is that it’s written in the way that Heinrich Harrer wrote about the Eiger. It’s documenting not just a single attempt but the entire process. In doing so we get to know the people well. It gives us some context about their early days and then it spends a big amount of time on the process that led to a succesful ascent of the Dawn Wall.