Yesterday it snowed for several hours and that snow was covering the path to my house. When I saw the ground turn from asphalt black to grey, to white I decided to go and start clearing the snow. It’s easy to clear snow when you have three or four centimetres, rather than more. At first it was light and easy to move so I cleared the path once, and then a second time, and then a third, and by the third I decided to stop.
It’s fun to watch documentaries when you know that they spent at least two to three years in the making. I like the documentary because it’s an opera rather than a documentary. There is a minimum of comment and a maximum of shots. There are some sequences where you see things happening in front of the camera and it switches to a second camera. That’s because for sequences like the penguins jumping out of the water they filmed it with one film camera and one pole.
I’m back in Switzerland now and I’ve been around for a little over a day now. I can’t be bothered going out so I’m watching one of the discovery earth documentaries and there’s a really interesting series of plant time-lapses that have been included. They’re used to illustrate what happens when a tree falls down and how the plants struggle with speed to take advantage of the increase in light.
I’ve been reading about documentary makers and it’s interesting. Today I read about several of them, took notes, and explored the ideas that they demonstrate. The one that has confused me is Kossanovksy and his ideas of Dogma. I’m wondering how you do a documentary without having interviews or cutaways. Does he mean that we should not use them gratuitously or in some other manner? I need to do more search on this particular aspect.
Yesterday I bought a series of six of Broomfield’s documentaries and I watched one of them today. Chicken Ranch is interesting because Broomfield lets the camera appear in shot, through mirrors and more. He also allows himself to appear, although only fleetingly, at least in this documentary. He makes observational documentaries and allows the viewer to come to his own conclusions. This is a style of documentary where the action happens in front of the camera, with no use of voice over.